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I remember you by

thunderclap in the sky

The feelings that surge in this one, more than any of our previous five Post-its. A certain M introduced me to Split Enz on those two celebrated mix tapes, and a certain L will forever come to mind first when I hear this group sing, as they do here more than almost anywhere else.

If you’re wondering what this is all about.

This is the most visceral of my Post-its, thunderclap in the sky, for me, someone who celebrates rainstorms, and used to thrill over being caught in them in grad school in Virginia, leaving the library as they moved in, being drenched while walking, then simply changing clothes when I got back to my apartment. Another time there, one struck at 8 or 9 pm and I dodged lightning bolts escaping my office with a female colleague of mine, we two laughing it up under a small wooden pavilion when we needed a break. Then there’s the morning thunderstorm when I was drawn to driving out to a great marsh and watching nature take its course seemingly ignoring the weather in what many imperceptive humans would describe as hell all round.

And then there’s that Louis MacNeice poem that led to a story with the same title.

Some memories of storms, and though I am more conscious now, sadly, of the chance of being struck by lightning, I still hope to be caught in them despite my mutated self. This song invariably brings me to L. The thunderclap of the lyric makes me think of her every time, so, it’s the lyric, the song, that brings her to me, not an actual thunder. It’s all the same—she reappears to me in moments to treasure. The venture I took to go out and see her: tyranny of distance didn’t stop the cavalier.

* * *

This song is part of what I call a “hat trick.” This is a misnomer, but trifecta sounds too cheap, trilogy to lumbering. In hockey, not that I am a fan of that either, a hat trick is three goals scored in one game by the same player. I have co-opted the phrase to mean a span on an album where three songs in a row sustain a rarefied air, something well above and beyond, ten minutes of bliss. Why this matters I am not sure, but it’s hard to sustain such excellence and I make mental notes whenever I notice one. One the brain’s many parlour games. Time to share.

The practice started with Split Enz’ first album, Mental Notes, where three songs near the album’s end reach that peak, one I’m not sure has ever been matched. The hat trick we’re talking about today is not as intense, but the song “Six Months In A Leaky Boat” was prefaced by an instrumental called “Pioneer” on the Split Enz collection where I first heard it; and this was as it was on the Time and Tide album release. “Pioneer” sets the stage with smooth, swirling synth zest for “Six Months” and its video which has a touching, albeit outdated, nostalgia to it, bringing to mind initial contact and lost love.

The song is followed on Time and Tide by the first Split Enz I ever heard, “Haul Away.” This was on the mix tape M made for me, the one that introduced me to so much music of my future and present. So from “Pioneer” to “Six Months” to “Haul Away” it is a fantastic, very personal hat trick, even a triptych. (Maybe I should be calling these triptychs, but triptych implies a feature piece flanked by two lesser.) How the songs fold into one another: the instrumental setting the stage, the big impact of the main song, then the jaunty jig of a “nervous breakdown” ending things. More than ever, I feel the “lapping at my heels,” “love goes all wrong,” “it’s all we can do to carry on.” Listening to them all again yesterday, it’s amazing all the loving detail that goes into music, all eventually swept away by Time and Tide as the world stops listening and moves on to something new.

(Maybe I should go with three hares instead of hat trick. I am reading Watership Down for my big summer novel this year. That is a more circular symbol, though. But maybe that’s fitting for someone like me whose internal life is like being on a merry-go-round.)

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