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Posts Tagged ‘greatest hits’

A couple of weeks ago, a friend and I exchanged Top 10 Songs by The Cure lists. He’s an exact contemporary of mine, age-wise, with the fundamental difference here being he discovered the group several years after I did, my awakening coming around 1988, his 1991. Perhaps that has made all the difference, but in reality his tastes are quite different than mine, his seeming stubbornly obscure even to me, not to mention terrible. And then there’s my possibly extreme belief that The Cure really dropped off after Disintegration, much as my R.E.M. experience.

Neither of our lists is in any particular order. Here’s his:

1. A Letter to Elise 2. Pictures of You 3. There Is No If 4. Pirate Ships 5. Strange Attraction

6. The Caterpillar 7. Burn 8. Wrong Number 9. In Between Days 10. The Lovecats

I’d never heard of half of his. Here’s mine:

1. Three Imaginary Boys 2. Do The Hansa 3. Just Like Heaven 4. Catch 5. A Forest 

6. The Caterpillar 7. A Night Like This 8. Close To Me (horns version)

9. The Perfect Girl  10. Grinding Halt 

And there is a “secret” order to mine. It’s the order I built the list, mostly in my head, by the gut, with a bit of quickly moving through the albums chronologically to be sure I didn’t miss something obvious.

As he pointed out, it’s pretty cool that our overlap is “The Caterpillar,” which makes it fitting that this is the link I provide. We have some near overlap in his numbers nine and ten, which I’d put on a greatest hits of a decent length. He mentioned personal stories (unknown to me) attached to many of his picks; one or two of mine are here partly because of an incident behind them.

There’s so much more that could be said and done with this. For now, I’ll listen to his list sometime soon. The Cure figured pretty greatly in my early life and there’s a lot that reflection upon that, their albums, their songs, their continued existence could bring forth.

For now, I’ll recommend this to those who’d like to explore the breadth of their work over the decades: Cureation: From There to Here From Here to There. A song from each album, starting with the oldest, then back again. A kindred soul in music pointed their efforts like these to me a few years ago and for that I am forever grateful. I know this person hated by #2 song. Maybe we’ll meet again one day.

Meanwhile, what are your favorite Cure songs?

p.s. This is most amusing too! Man of a thousand faces Long live Mad Bob.

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Last post I shared a song from Peter & Gordon, a great duo to come out of the British Invasion, music I grew up with despite my age (thank you, Magic 104!). I first heard their songs on the radio, while another duo, Chad & Jeremy was more a product of a record album found at my grandparents’ (thank you, whichever aunt or uncle owned it!).

Chad Stuart, Jeremy Clyde, Peter Asher, and Gordon Waller (of Aberdeenshire, where I once spent considerable time). Two duos, with a maddening amount in common, but I have never heard of any rivalry, or even the two compared, although when Gordon passed away, the remaining three began performing together.

They arose independently of each other, coming along at about the same time. Each had a bespectacled, higher-pitched redheaded member, each a lower-voiced dark-haired one. Chad & Jeremy goofed around on episodes of Batman and the Dick Van Dyke Show, and Peter & Gordon knew the Beatles, thanks to Peter’s sister, Jane, being Paul’s famed pre-Linda romance.

Chad & Jeremy had a more elegant, hushed approach to singing and orchestration, while Peter & Gordon often sinking into overproduced histrionics“THIS LAND IS MINE!!”but both had a bunch of wonderful tunes before fading as the decade ended. To get to know them, here are five songs worth checking out from each:

Chad & Jeremy

A Summer Song—One of the finest songs to come out of the British 60s.

Dirty Old Town—A Ewan MacColl song—something you might not expect. And it packs a punch, with its gentle descriptions giving way to menace.

Willow Weep For Me—Meditative, jazzy blue companion to A Summer Song.

Donna, Donna—Another beautiful, defiant folk song.

Can’t Get Used To Losing You—Although they wrote some catchy album tracks, there are so many great covers by this duo, and they made their versions definitive ones. Here’s one from the Andy Williams catalogue that they zipped up a bit, still keeping it touching. Those harmonies, the hummed ending.

Peter & Gordon

Nobody I Know—The slightly poorer cousin of I Go To Pieces, with that same jangly guitar. Its writer makes it noteworthy to some. For me, it’s just a great song in the Billy J. Kramer & The Dakotas mode. They had two other big hits in this vein.

If I Were You—A delectable minor key obscurity where the oboe line reels you in.

Don’t Pity Me—Gordon with some vocals that seem plucked out of late 70s/early 80s post-punk altie times.

Woman—The orchestration works here.

Lady Godiva—While C&J took a psychedelic turn later in their career, P&G went music hall for a spell, much like Herman’s Hermits did for at least half an album. “It’ll be funny,” said Gordon, and he was right. Super catchy too.

And now a splendid, understated bonus track from Chad and Jane Stuart. Jane is Chad’s wife, and she’s not Jane Asher, Peter’s sister! I believe Chad played guitar on this oneI Can’t Talk To You.

I’ve been singing I Go To Pieces and a few of these others for a few days now; thank you for joining me in this reminiscence of two great duos, whether you know them well, or have just discovered them.

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