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Archive for August, 2022

Time this time. I was looking through Instagram photos of soccer teammates, the joy and camaraderie they find in each other, then thinking how ephemeral sports teammate-dom often is, in a world of trades, injuries, and retirements. A thing of a season or a few seasons. Many things appear this brief to me now, having nailed down a few decades of life, but when you’re young and doing something among well-liked peers, the impacts and memories are deep and long-lasting; time seems to slow to allow you to really take hold of a moment, or at least it takes hold of you in retrospect. Schopenhauer pointed this out.

These thoughts, and some listening to Arcade Fire (whose best topic will always be nostalgia), particularly “We Used To Wait” (a song I will always identify with in our cellphone-changed world), got me wondering, how can we slow down time? In younger days, the novelty of what life set before me and the lack of self-conscience and relative lack of busyness and worry all added up to a slowed-down time. But could I, as an adult, get time to slow down?

I think of my multifarious life: the places I’ve lived, people I’ve known, pastimes I’ve pursued for pay or other (mostly other), the multitude of subjects I’ve read about and explored. I think of my time on a soccer team or at my junior high school or with a certain group of friends or minoring in Classical Studies in college or studying dragonflies and damselflies. With all of these, and the countless other things I have spent time on, it feels like I have just scratched the surface of what they could be.

Time and change go hand in hand, but I wonder what if I had stayed with my group of 7th grade schoolmates through my whole life, would I still feel I really had plumbed the depths of the relationships? There were so many people I barely knew, not to mention my friends and all the things we left unexplored. Or if I’d stuck it out in my DC job at age 30, where some people I used to work with remain colleagues. Would moving through time with this same set have made time seem richer and slower?

Put another way, imagine living in a year, say 1992, for a whole lifetime, meeting the same people, maybe traveling a little, but essentially exploring everything that was 1992 for a lifetime, the people, the places, the topics, the issues, etc. Not exactly a “Groundhog Day” recurring over, but time stood still allowing for all the world’s texture to be experienced.

But, of course, time doesn’t stand still, ever.

This is not the way of humans, the world, but if you look at a lifelong poet or a professor specialized in a narrow topic, you get a hint of the possibility of just how long time can seem. Imagine poring over the literature on a couple of specialized topics for the entirety of life, tweaking courses you are teaching, creating studies, honing pieces of writing that you are proud of, that benefit from a life’s focused gathering of expertise. Getting to know your colleagues in these endeavors, how their views differ or harmonize with yours, how change and evolution or stubborn resolution not to change points of view manifest themselves.

Maybe these minor adjustments and permutations really do slow down time in our minds, more than changing places and ideas and people incessantly as the months roll by. I’ll have to think more about this, and apply it to my life if it sounds like a better way.

Just a ragged peer into an inexhaustible realm.

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As a former Classics minor and regular museum attendee of minor prestige, I have off-and-on read bits and pieces about how ancient sculpture was anything but monochromatic. If you go to museums these days you start to notice casts of color on ancient objects more than ever before, either because of the buzz about the topic and/or because these pieces are now being showcased.

It’s one of those times of year I wish I was visiting NYC. I spent a lovely summer there long ago and used to visit now and then when I knew people who lived there. Add to that an out-of-the-blue recent conversation I had on a cool New York Public Library exhibition of their collection’s treasures. And then there’s this article from yesterday’s New York Times on the Met’s “Chroma: Ancient Sculpture in Color” show, which features “colorized” versions of ancient sculptures, a public culmination of the studies of the Brinkmanns, a scholarly couple who have been at this for decades. Well, it makes me wish I could hop on planes and trains like I used to, or at least makes me think about studying something interesting like this in depth.

The article covers a lot of ground on ancient polychromy, including a new angle I’d not encountered, namely that by seeing only monochromatic (usually white/whitish marble) human figures in ancient art, our aesthetic and racial views of the world are significantly affected. Check this out for more on that.

Well, that’s plenty of links for you to peruse. But what really intrigued me about the Times article was this:

“However, some historians worry that the Met Museum has elevated the increasingly ubiquitous Brinkmann replicas to an iconic status that is becoming the default representation of ancient polychromy, when the couple’s research is just one among dozens of competing theories. The debate now encompasses more than a disagreement about pigments and scientific method; some academics see the reconstructions as a larger discussion on who gets to define the past.”

As much as I’d like to see the Chroma exhibit in person—and there’s a lot to it, including a fascinating glossary that includes ancient pigments—what I’d really love to see is an exhibit covering these dozens of competing theories, including replicas, succinct write-ups, lectures, evidence, etc. Maybe Chroma will feature some of this—I have not consulted its calendar. I can always resort to books and journals, but what a wonder such an exhibit would be. For that I would hop on the next plane and figure out somewhere and some way to stay in New York for a spell.

Ancient statue of a woman with blue and gilt garment, fan and sun hat, from Tanagra, Greece, 325–300 B.C. Exhibited in Berlin’s Altes Museum. Source: Wikipedia.

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